Sway / Yureru (Miwa Nishikawa, 2006)

[Rakeru-chan]

Título: Sway Título V.O: Yureru / ゆれる Director: Miwa Nishikawa Año/País: 2006 / Japón Duración: 120 minutos Género: Drama Reparto: Joe Odagiri , Teruyuki Kagawa, Masato Ibu, Keizo Kanie, Hirofymi Arai Enlaces: Subs Ficha de: Rakeru-chan

[Rakeru-chan]

Bueno, pues he aquí mi primera ficha. Creo q no había, al menos he buscado y no la he visto.
Bueno, podreis comprobar mi total inutilidad, porque no he sabido poner casi ninguno de los datos técnicos, espero que alguien me ayude.
Aun no tengo la pelicula descargando, a ver si alguien sabe algo de los subs. He buscado en kloofy pero no los hay.

Yoroshiku nee!!!

+ INFO.:

SINOPSIS

Takeru (Joe Odagiri) es un fotógrafo de éxito que lleva una vida placentera en Tokio. Con desgana, realiza un viaje a su localidad natal con motivo del primer aniversario del fallecimiento de su madre. Durante la visita que le hace a su hermano mayor Minoru (Teruyuki Kagawa) coincide con una amiga de la infancia llamada Chieko (Yoko Maki), que en la actualidad trabaja a las órdenes de Minoru. Los tres deciden acercarse en coche al desfiladero: un cercano paraje natural. Una vez allí, Takeru, que se ha separado de los otros dos, cruza un puente que se halla suspendido encima del abismo. Su intención es encontrar un paraje que le ofrezca la posibilidad de realizar buenas fotografías. Enseguida se presentarán tras sus pasos Minoru y Chieko.

credits: LA BUTACA

Calificación de los usuarios en IMDb:  7.3/10 (40 votes)

Y aquí teneis el trailer:
http://www.youtube.com/watch?v=CZXzgt6NkhE

[aguijon]

Bueno, pues he aquí mi primera ficha. Creo q no había, al menos he buscado y no la he visto.
Bueno, podreis comprobar mi total inutilidad, porque no he sabido poner casi ninguno de los datos técnicos, espero que alguien me ayude.

¡Enhorabuena Rakeru-chan!
Desde el propio eMule puedes obtener casi seguro los datos. Te pones sobre el fichero, botón derecho del ratón y pulsas en información.

[otto]

Y van tres! Gracias  

[Rakeru-chan]

Si, ya he probado a ver con el boton derecho (información) pero ná de ná...
En las características de vídeo, x ejemplo, todo lo que pone es " - "
Gracias de todas formas, a ver si lo averiguo...

[krillov]

Si, ya he probado a ver con el boton derecho (información) pero ná de ná...
En las características de vídeo, x ejemplo, todo lo que pone es " - "
Gracias de todas formas, a ver si lo averiguo...

Para que aparezcan tienes que tener la primera y la última parte descargadas (igual vale sólo con la primera, no estoy muy seguro).

[E0x]

no hay fuentes completes al parecer tengo 2 semanas 24/7 barado en
cd1 70% y cd2 33%
alguien que la tenga completa que por favor la comparta

Gracias

[Conri]

Uhh esta tiene muy buenapinta, una pena que no haya ni subs en ingles!
Igualmente muchas Gracias por la ficha Rakeru-chan!!!

Y E0x en la mula hay otros enlaces a la peli!... mejor dicho creo que hay otro ripeo! Proba con estos  .


*saionara*

[Nabasu]

A film set partially in a courtroom is not necessarily a 'courtroom drama'. A film revolving around a murder investigation is not necessarily a 'thriller'. Elementary knowledge for a film critic, one supposes, but knowledge that seems to have slipped the minds of most critics who reviewed Miwa Nishikawa's Sway, the only Japanese feature film selected for the 2006 Cannes film festival.

Sway follows Takeru (Odagiri), a successful big city photographer for trendy magazines. He looks the part, seems every bit the urban hipster. But the big city boy has small town roots, as we learn when a call comes that Takeru's mother has died. Driving his vintage car to his hometown, he arrives late for the funeral services, still wearing his leather jacket and crimson pants.

During that night's get-together, the frustrations that have built over years inside Takeru and his father (Ibu) come to the surface. The patriarch's sarcastic remark that he had to cut-and-paste his wife's funeral portrait, while his son is playing photographer in faraway Tokyo, is met with an offhand "You could have taken her picture anytime by yourself" from the son. Lightning strikes and the two would be at each other's throats if it weren't for the intervention of older brother Minoru (Kagawa) - the son of compromise, who stayed at home and accepted his father's wishes to take over the family business. He runs the ugly gas station that stands forlornly on the edge of town, a concrete plot shot in grayish tints that serves as a symbol for all the petty, boxed-in, small-town misery that Takeru escaped from. But Minoru has his own frustrations, above all with being treated as everyone's doormat as a result of his eagerness to compromise. One day he snaps, and starts attacking a client's windshield with the fuel pump.

Takeru's homecoming is also an opportunity to meet with Chieko, a pretty ex who works at the gas stand but dreams of a better life in Tokyo. She is on Takeru's side and wants desperately to emulate his achievements. They spend a passionate night together, but he wishes to go no further. He ignores her plea to take her back to Tokyo and leaves her small apartment before dawn breaks. Waking up to find him gone, she smells his discarded cigarette packet, in some vain hope of getting closer to everything it (and he) represents. She can't stay. Even if she likes Minoru and he obviously likes her, the prospect of living the rest of her life like her parents is unbearable. She decides to persist in her efforts to convince Takeru. The three of them go out on a trip to a nearby forest and river. Takeru trails off by himself to take pictures. Minoru and Chieko cross the dangling rope bridge. An argument ensues: she rebuffs the older brother's advances, reveals her liaison with Takeru and her wish to leave town and never come back. He wants to grab her arm, she pulls back and slips. A few seconds later, her dead body is floating downstream. The police investigate and Minoru is arrested. Did he push her, or did she fall? What did Takeru see and hear from his isolated vantage point on the other shore?

Whether Minoru pushed or Chieko slipped is not the issue of the film. Takeru's memories of the event are what matters. Or more precisely, what the selectiveness of that memory says about him, his feelings about his family, the choices he made in life, and the guilt he felt for those choices somewhere deep down, which he is now no longer able to suppress. To condemn his brother means to get back in his snazzy car, drive to Tokyo and burn his bridges, leaving the misery of his youth behind him for good and embracing a glamorous life as a hip photographer. But it also entails denying his roots, his true identity. Getting Minoru off the hook is his only chance to make peace with his past.

Sway is a film on the gaping chasms between countryside and city, between family life and 'freeter' existence, between patriarchy and individualism. Between an old Japan that refuses to go away and the young who desperately wish it would but who lack the strength and the ideas to speed up the process. The difference may only be a more glamorous shade of dull. The Takerus of this world may have turned their backs on their fathers, but they have no alternative to offer themselves or their generation, let alone the generations that are to follow. What they have is superficial, hedonistic: fashion, consumption, glossy magazines, acting cool. When the basis is unstable, the swaying starts. Miwa Nishikawa's Sway is about Japan today - questioning, investigating, challenging, perceptive. Do we call that a courtroom drama and dismiss it for not playing like an episode of Law & Order? Who's Camus anyway?

[Nabasu]

Añado el ripeo de WRD cortesía de krillov.

[krillov]

Gacias, Nabasu. No me había dado cuenta de que ya tenía ficha.

[freexmen]

Esta peli pasó por el festival de Valladolid y para muchos resultó icomprensible que no recibiera finalmente premio alguno en el certamen.
La directora (un encanto la Nishikawa) asegura ser una "discípula" de Kore Eda, que ha pasado a ser su colega con el tiempo y a colaborar con él. Ciertamente hay puntos en común en sus estilos y en su manera de plantear las historias. Personalmente me interesó mucho todo lo que puede llegar a contar la película sobre la memoria, la familia y las relaciones sociales a partir de un argumento sencillo que se va complicando. Puede que estemos ante una realizadora a tener muy en cuenta en el futuro.
Un saludo y muchas gracias al autor del post por aportar este título.

[opk]

no tiene subtitulos en español??

[corarukun]

Película muy esperada, por lo menos por mi.
11 premios en distintos festivales en Japón. nominado por mejor Actor a Joe Odagiri (nueva promesa para mi) en los Premios Nacionales de Japón, el cual se lo llevó Ken Watanabe por Memories of Tomorrow (Ashita no kioko).
Espero que algun alma caritativa traduzca los subtitulos, 
Muchas gracias por la ficha Rakeru-chan   

[nobody]

Me pongo a traducirla. Me llevará tiempo.
Saludos